What Is Your Story The 1 Idea That Can Change Your Online Business ( And Bank Account ) Forever

What does your life look like in 2 or 3 years, when your " online " goals become a materiality? What does your business look like? What do you do every day that makes you caress like you are making progress, vitality, growing and flowing into the tenacious person you are coming up to become?

I want to share with you a little secret. It ' s not altogether considering much of a secret... because it is the ONE core, consistent idea that EVERY dominant success story shares. Subject you other you read about is faux pas... but THIS one concern is partly universally true.

You need a compelling story that makes your work meaningful, and matter to YOU. It doesn ' t have to be the same driver, or the same idea, or the same inspiration that moves and motivates other people... it only needs to work for you.

When I see people who are jumping from thing to thing, trying one bright and shiny idea after the next and never really sticking with any one path for long... it ' s ALWAYS because they don ' t have a compelling, personal passion for living a life they really love.

Instead, the focus is on techniques to make easy money, or tactics that may drive traffic to their websites, or shortcuts, software or sneaky strategies that may help them expedite the process of getting ahead.

That rarely works in the short term. And NEVER works long term. Because it gets old, and boring and grows tired, very quickly... EVEN if it works. ( which those techniques, as most of us already know, rarely do )

One of the amazing insights I took away from reading the Steve Jobs biography, was he seemed to make everything harder than it needed to be to build Apple from the ground up. Every accountant, money manager and bean counter thought his obsession with design, and form as well as function would kill the company and bleed them dry.

But Jobs was less interested in money... as he was in satisfying his own story. What he saw as his own mission, purpose and passion. To create beautiful things that married technology and art. And to live in a society where his contributions to the world were celebrated as innovative inventions that literally changed the world.

Whether you like him or not, his passion, and sense of purpose about his work... certainly did exactly that.

In a smaller way, by making a MANIFESTO, and creating a compelling vision about what your life looks like, when you are truly living a life that honors, values and celebrates your gifts is the only true path to progress... and profit that will make any of us happy.

I remember the first successful " review site " I created many years ago. The first few sales were exhilarating. The first $1000 in commissions made me feel like I was walking on clouds. By the time I got to 10K in commissions... it felt boring, bland and sort of dishonest work as well. ( as I was recommending products for commissions... not because they were all that great )

By the time I hit 50K in commissions, I decided I hated it and pretty much quit altogether.

For me... there was nothing exciting, compelling or creative about writing reviews all day... no matter how successful it could become.

Pretty much everyone I meet, online or off, prosperous or not, agrees.

Do what you love. Love what you do. The money will follow. ( but first... you have to KNOW what it is that makes you come alive... imagine it, see it, live it... and loving it is sure to follow! )

You Know How Your Story Starts, but do you Know How it Ends

Should you know indubitably how your story ends before you start or sanction it to chance? Different writers go about it in different ways. Find out what suits you best.

There are four methods you can use to plan how your story will top:

1. Just do it.

This is seat you start writing from page one and expectancy it will all turn out deserved in the stump. Fingers crossed.

Some writers lament this passage, others find it works for them.

You ' ve got an idea for a story and perhaps the main characters are coming alive in your head. You ' ve no idea how it ' s commotion to turn out, but you want to go for it anyway. And with luck and a dry wind you may well get there. So go for it. Time will tell whether you ' ve got the creative tide running strongly enough to bring you safely into harbour or not.

The danger here is that your story might get stuck on the sandbank of I - don ' t - know - what - to - do - next or totally shipwrecked on the rocks of This - is - a - load - of - rubbish. If the former, then there may be hope of rescue. Read your story and jot down the main events so far. Now put your thinking cap on and decide seriously how you want it to turn out. Then do ' what ifs ' to find a path into clear water and on to landfall.

2. Bare bones.

This is where you write down the beginning, middle and end of the story, but otherwise leave it to develop itself.

Not a bad plan this one unless you ' re writing a mystery or detective novel and you need to plan things out more thoroughly than that.

For short stories it should work well.

3. The whole caboodle

This is more applicable when writing a novel or a very long short story.

Write a detailed synopsis, maybe broken down by chapter or section, so that you know exactly how it ' s going to work out in the end.

Some authors use the ' cover - the - wall - with - A4s ' method. Take a sheet of A4 for each chapter and write on it what is going to happen in that chapter. Then stick them on the wall in chapter order. This makes it easier to see at a glance what ' s going on and how everything links up. Use different coloured pens if you want to follow say a subplot through so that you don ' t forget anything.

This has the advantage, providing you ' ve got the wall space, of being able to change things quickly, add, delete or merge chapters as you go along. You could use Word for Windows and read it all on screen, but it ' s just not the same.

4. Suck it and see.

Write the first chapter or section to get a sense of whether it will run to a satisfying conclusion. You may or may not know what that is to begin with.

This method is good if you have a novel in mind and don ' t want to work out a detailed synopsis to start with.

When that first chapter is finished and it excites you, gives you goose bumps or simply that yeesss! feeling then you may be onto a good thing and it ' s worth taxing the brain cells to get the whole framework sorted out.

Conclusion

From personal experience this is what I think works:

Methods 1 and 2 work well for the short story; 3 is best for the longer story or novel, and 4 works OK for either. Visit WritersReign http: / / www. writersreign. co. uk for a sackfull of resources, useful links, markets, writing competitions, software, articles for writers, and more. There ' s a free Article Writing Course at http: / / www. writersreign. co. uk / WRac. html up for grabs too. Sign up for it now before the opportunity slips quietly into obscurity... you know it makes sense!

Writing A Eulogy For A Child ' s Funeral

Nothing is more heartbreaking than the death of a child. Writing a eulogy for a young person can be a hard engagement, especially if one was close to the child. As you review the life of the child you will admire, dwell upon why people deliver eulogies: to memorialize the person who has died and celebrate his or her life. ( In Greek, eulogia means blessing or praise. ) Your mission is to sincerely deliver a undeniable tribute to the life of the child that has passed on. Preparing what to divulge in advance can make the work of writing and delivering a eulogy a little easier. Here are some tips on how to write a eulogy for a child:

1. Bunch up facts about the child to light upon a main matter for the eulogy. Recall personal stories. Objective what made the child perfectly happy. What will you look back most about the young person? Did the child have a certain motto or branch particular values? Mention special achievements. Get stories from others as well. Avoid negative, embarrassing, and sad stories.

2. Keep it simple. Once you begin writing your speech, aim for clarity. Big words are not necessary. Neither are great philosophical insights. Just be honest, and speak in a manner that would be understandable to a child.

3. Be organized: Include the following sections in your eulogy:

- - The Introduction. Introduce yourself and let others know how you are connected to the child. Your introduction should set up the main theme of the eulogy in a personal way. Consider capturing your listener ' s attention through a personal story, appropriate poem, the child ' s favorite song, or part of the child ' s favorite story.

- - The Body. The middle section of the eulogy should include stories that support your theme. For example, if you ' re focusing on the child ' s courage, you could share stories demonstrating the child ' s bravery. Also mention family ties: speak about how much the parents or guardians and siblings meant to the child.

- - The Conclusion. In your conclusion, summarize your main points and restate your main theme. The conclusion will explain how much the child meant to you in a way that is short and simple. In the example of the brave child, for instance, one may conclude by emphasizing the courage the child never lacked, perhaps ending with, " This child faced the world the way a prince would face a dragon. "

4. Consider including media to accompany your speech. Slideshows and video clips are excellent accompaniments to memorial speeches.

5. Practice reading the eulogy out loud and have a friend edit your speech. As you practice, try to keep the eulogy ' s length under 10 minutes.

6. Make it easy on yourself. Use notes in a large font while delivering the funeral eulogy. These will help you if you are at a loss for words. Give a copy of these notes to a person who is willing to deliver the eulogy should you become too overwhelmed with grief and emotion.

Writing a eulogy for a child is an honor and a great way to help others know who this young person really was and why they were special. Writing and delivering a eulogy is not only a way for you to deal with your own grief, but can also help others deal with theirs.

~Flora Richards - Gustafson, 2009

Why Your Business Needs a Story

If you ' ve tried subject to make your business stand out among the crowd, but zippo is working, inasmuch as here is a suggestion: make up a story and share it with the world.

Now, not just fraction story will performance. You need to establish the story of your business. The personal details of why you are so passionate about what you do and why you, and matchless you, are the perfect person to help solve your clients ' problems.

Why is a story so important? It is the easiest way to get your message out to your ideal audience. A great story will resonate with your dream clients and bring them to you. A compelling story can convince a potential client they need your services and even educate them on why they need your help, even if they don ' t realize they do.

A story can also let people know if you aren ' t a good fit for them. And that ' s okay. While most entrepreneurs and small businesses want to cater to the masses, it is more productive, and lucrative, to target a niche market that gets what you offer.

Want an example? My favorite story is that of the unassuming minivan. The minivan is brilliantly marketed to soccer moms who feel more like a taxi driver than a parent. The car companies are telling the story of the frazzled mom rushing from place to place - soccer practice, birthday parties, grocery store, school plays. They need a vehicle that is safe, roomy, convenient, easy to enter and exit and simple to drive. The minivan may not be the coolest thing to drive, but it is the most practical. The connection between the minivan and the busy mom is so strong that it is seen as a sensible car for families and a sort of a rite of passage for new parents to trade in their sedan for a minivan.

On the other side of the minivan is the Sports Utility Vehicle ( SUV ). While the SUV offers many of the same benefits as the minivan, its story is one of carefree fun, ruggedness and spontaneity. The story of the SUV is the exact opposite of the minivan. There are many people who could really benefit from a minivan, since they are generally less expensive and get better gas mileage, but because of the story it represents, they wouldn ' t be caught driving one.

That ' s the power of a strong story. So, what ' s your story?

Write A Story Using Your Crazy Thoughts

Write a story: How much do we study a novel or play and stupor how on earth the author came up with the storyline and location did the original idea come from? When writing legion authors enclose snippets of their lives and experiences. How would we know if they did? What is fact and what is fiction? If onliest we knew the truth it would average make a more interesting story than the one the author has written.

Polished inferior known authors much return their own experiences and build on them. Giving them an extra twist or adding the gory to make the tale more interesting. We all have tales to tell, but sadly multifarious are lost. Take the many heroes of the last world war where it was not considered anything out of the ordinary to save a persons life or commit an act of bravery. What stories have been lost and will never be told.

The budding author always wants to know what he or she should write about. The answer is always to write about what you know. Take a simple experience, like walking the dog. How could you turn that into a story?

Take a scenario of you walking the dog along a country lane. You have done the same walk for five years and nothing out of the ordinary has ever occurred, but this time everything is about to change.

In the distance walking somewhat stiffly towards you is a man in his latter years with a heavily whiskered face while holding a crooked walking stick in his left hand. What makes this man different is his companion.

Towering above his head and walking ungainly beside him is a finely feathered Ostrich. The huge bird is un - tethered and, as if attached by an invisible cord, keeps close to its master. Your four - legged friend stiffens his body and stares at the strange pair emitting a slow growl. You call your dog back and put him on a short lead. You are uncertain what to do as the pair approach.

Now within talking distance the man smiles warmly and doffs his battered straw hat and noids his head. You falter, and stutter a brief reply, as you stand almost mesmerized. The man chuckles and replaces his hat as if he understands your thoughts. He then continues along the lane beside his strange companion until they disappear into the distance. Meanwhile your dog appears uneasy; looks around him and begins to shake.

It may seem a little unusual, but it could happen and you can make the storyline continue with all sorts of twists and turns. Some famous novels have begun with a brief encounter between two complete strangers.

Many people who need to write struggle to find a subject, but that is because they are thinking too much and not putting pen to paper. The mere act of beginning a story or tale about any subject will lead you on a road of discovery.

So begin at the beginning throw your pen at the paper and continue from there.

Ian Nicholson has written many short stories and books on dogs. Now he has written a childrens adventure novel " Amber And The Demons of Syrin " which has been published and is being marketed on Amazon

Writing The Short Story Description

Unlike in a book or regular a long story, when writing the short story there isn ' t much room for flowery, descriptive, prose. Here are some satisfying and practical ways to handgrip that.

Conceive essence quite than complete. I love to write long, flowery, nice descriptive sequences in the novels I write. When writing the short story that has to change. In some ways it helps make an author a higher quality ( more precise, at least ) writer. In writing the short story one commitment nail down what facets will hastily set the proper stage and overture all the big ( required ) features. Here is an example.

The astonishing grace of the budding trees, the assortment of colorful flowers, and the still, unhappy, reservoir just down the hill from his rustic cabin, quickly dispatched the feelings of melancholy that had led Jerry to seek the solitude offered by the Briar Hill Retreat Center. That sentence replaces about six pages of description from one of my early novels. From that sentence the reader learns many, story - setting, aspects: time of year, a snapshot of the setting, available sources of beauty, a bit about the character ' s background, and the effect the setting seemed to be having on him. Actually, all that might be worth a full chapter in a long novel. All of that was accomplished by packing a sentence with information actual and inferred. ' Packing ' must occur with great care not to make a sentence or set of sentences too heavy or complex or rambling. ( That one is close to being over - packed, perhaps. ) One would probably never pack a sentence that way in a novel the reader would feel cheated.

When writing the short story, however, the reader will appreciate such a compact laying out of useful but not critical information. It doesnt mean you have to give up wonderful words and phrases. If anything, they become more precious for the precision they provide ( astonishing, beauty, colorful, quickly dispatched, melancholy, rustic, solitude ).

There is one danger that must be avoided. When writing the short story make sure you don ' t overuse those wonderful words. Take the word ' remarkable ', for example. In a short story consider it a one - time - use word. Used a second time it will not only lose its punch but it will sound amateurish. Sometimes that holds true in novels as well. Certain great words stand out and make their point once, but more frequently than that they make the piece amateurishly redundant. ( See how that just happened when I reused a form of ' amateurish '. )

So, here are three pieces of advice about descriptive passages when writing the short story,. Master the art of packing - and not over - packing - descriptive sentences. Think essence first and completeness second ( with care and practice both can often be achieved ). Avoid the repetition of extraordinary words as they quickly feel wrong and become awkward distractions.

Win Story Contests - Three Sure Fire Plans to Win Story Prizes At Least Cost

Ever wanted a tested way to win short story contests - with less effort? Simply regard about these three simple - to - forward ideas to win short story contests. Appraisal them in your own ingenious way and adjust them to your own needs. All will do their undertaking very efficiently to win story contests - and more profitably than anyone might ever dream.

Disposed the capacious digit of story writing contests in the world - at least 2200 are listed annually on the web alone - what ' s the best tramp to contests that will produce you the most profit? A great tip is to inspect the account of entry fees to prize value.

Just analyze a lot of short story competitions and you ' ll devise there ' s typically a ratio of about 61: 1. That ' s the difference between the total value of the prizes being awarded and the entry cost. Unquestionably, the bill gets skewed by contests that offer big prizes and minimal entry fees, but they ' re a rarity.

So if a competition promises a prize total of $600 you ' ll find the entry fee to be around $10. Often you can submit two stories for that fee.

It ' s a fair offer. You don ' t run much risk and your reward is worth having. Moreover, it ' s your expertise not luck that brings you a reward. So when you win, you get a big ego - glow!

Yet you ' ll often find contests with very different ratios. Here are some typical cases:

1. You ' re not offered any cash prizes - or the prizes are of negligible value.

That may be okay, even though there ' s an entry fee, if the other rewards are still worth having.

For instance, some universities offer a major prize of a course or a study bursary. A conference promoter once promised a free place for the top ten winners at a week - long symposium, all expenses paid. Plus the stars got their prizes awarded at the platform.

Frequently, a contest offers no cash prizes at all. Maybe the winners will get their stories published on the web or in some arcane little magazine. Those contests can still be rewarding to enter if they cost zilch to enter. For a new writer, it ' s a great ego boost to realize that thousands of people may be reading their tale.

Problem is, these contests earn you no cash.

Moreover, most of these publishers are just trying to attract free content for their publications. No harm in that, but it doesn ' t pay the writer ' s bills.

2. The contest offers big prizes - but you have to pay a big fee to enter.

If the organizer is bona fide, these events can still be worth the trouble of firing up your writing contest engine. They ' ll attract few entries with a big entry fee so your chances of winning should be high - if your story ' s good.

However, if they pull few entries, the organizers will lose their shirts.

If they ' re a legitimate promoter like a college or big publisher, they may be content to make a loss. They ' re running the contest as a public relations event. But beware of other organizers. Will they even give out the prizes, if the event doesn ' t attract enough entries?

Be sure to check the contest regulations. These may state that prizes will be given only if the contest pulls enough entries. Or they ' ll say that the prize totals are a theoretical value. In reality, the prizes will be taken out of the total monies received in entry fees - and the organizer will subtract a hefty charge first for admin costs.

That way, the organizers will certainly profit - but the entrants will not.

3. The prizes are tiny but entry is free.

Local radio stations sometimes run contests like that. They seem like a no - risk bet. But what do you earn? Just a trivial bit of local coverage. Fame is nice, and a great encouragement to a start - up writer. But it doesn ' t buy you food.

Have you ever considered why bona fide organizers often ask a small entry fee, even though they ' re presumably not seeking to make a profit? They want to be kind to their judges. If the event is entirely free, the judges will be overwhelmed with dross. A tiny entry fee acts as a quality filter.

Don ' t trouble to enter the free - entry contest, if the prizes are trivial. Why? You could use the same effort and postage money in entering a well established writing contest, and be in line for a really major prize!

Writing a Story That Wants to Be Written

Do we create the stories, or just tell them? I ' m of the apperception that we are just telling the stories. We make the last decisions, but in without reservation great writing, the author can observe the flow of the story and locale it ' s happening to go. You can caress when something is forced, or just doesn ' t fit absolutely appropriate. You can besides observe when things are progressing smoothly. You get that tangibility of bill and elation that automatically tells you you ' ve made the right decision.

It is a key element of writing to be able to accept everything you write straight off is not necessarily gold. Sometimes you have to change the story even if you don ' t like that change. In many ways, writing a book is like putting together a puzzle, only you have to contend with pieces that don ' t belong at all as well. The words have to work together to create the story as a whole. If pieces that don ' t fit are used, it detracts from the final product.

Looking at the big picture is a great way to think about telling the story. If you ' re questioning anything, be it a single sentence or an entire section, think about how it affects the story as a whole. Does it fit with what is going on? Is that where you want to take the story? How will it change future parts of the story? Trusting your gut is essential. No matter how much work it may require, if you feel it doesn ' t fit with the story, follow that instinct and rectify the situation.

So what is this feeling exactly? It ' s hard to describe really. For me personally, I would compare it to the feeling you get when on a roller - coaster. That weightless feeling just before you drop down at high - speed. When I can really feel the story, that this part is definitely how it needs to be told, that ' s the feeling I get inside. It may be different for different people, but it is an important thing to recognize. It ' s just as important, if not more so, than being able to recognize what doesn ' t fit. Few things grab a reader ' s attention like a story that invokes this type of feeling throughout the story.

Ultimately, you have to be aware of not only your thoughts and desires, but those of the manuscript. Jamming whatever you want in there will only serve to bring the story down. Listen to the story that wants to be told, and follow the guide posts you ' ll see along the way. Whatever you may be writing will be the better for it.

Writing Short Stories With A Twist

It is reported that Alfred Hitchcock loved the short story through a literary sustentation due to it lends itself so right to creating unintentional twists. Here are six hints for creating short stories with a twist.

Writing Stories With A Twist: Hint ONE:

There is something I call ' tutor experiment ' that applies when considering the example roll for stories with a twist. In book loop pieces, readers become firmly attached to streak and the trend of the story. To disrupt or violate all that at the extremity with a twist, which denies all that, can be disappointing and equivalent distressful for multitudinous readers. ( The Sting, is a spotless and notable exception. ) In shorter pieces the orator undertaking doesn ' t get a chance to configure itself, so the twist doesnt disrupt the instructor and, in actuality, will typically be enjoyed over an accidental delight.

Writing Stories With A Twist: Hint TWO:

In, perhaps, a clumsy way of stating it, the final twist must not be illogically born from the early plot, character traits, and motivation, but neither must it be in any way telegraphed ahead of its presentation. I enjoy writing ' Hitchcockian ' stories. My goal is always to introduce the twist at the last possible moment in the final sentence and even better, in the final few words of the final sentence. I typically spend more time creating the presentation of the twist than I do writing the rest of the piece. The author must have the twist clearly in mid from the outset. It is the target toward which he writes.

Writing Stories With A Twist: Hint THREE:

Most of the story must be a subtle diversion away from the final twist. It does not dare be obvious. It does not dare raise a red flag ( or even a pale pink one ) in the reader ' s mind. There must be nothing to suggest that the story is not proceeding to what seems like its logical or legitimate conclusion even if that will not specifically be fully understood. ( Why read any story if you know how it will end? )

Writing Stories With A Twist: Hint FOUR:

It is more acceptable to make a bad guy into a good guy as the twist, than a good guy into a bad guy. It can be done with care and planning but it takes great skill. It is human nature to not want good things to turn sour. This is extremely important when planning short stories with a twist.

Writing Stories With A Twist: Hint FIVE:

Always make certain your story delivers the twist without making the reader feel betrayed. I have shelved a number of stories because in the end I couldn ' t find a way to overcome that obvious betrayal factor.

Writing Stories With A Twist: Hint SIX:

Spend lots of time reading and analyzing the all important structure of ' Hitchcockian ' type short stories. You ' ll find a large number by merely Googling ' short stories with at twist '.

A great short story, which delivers an acceptable and unexpected twist is perhaps the most difficult from of story to pull off successfully. Happy writing!

When The Heart Heals A Widow ' s Story - Excerpted From The Healing Power Of Love

At this point, widowed for about 18 months, I met Hal the night I attended my last eradication backing collection meeting. I was this day affected to his energy. We seemed to have a lot in common, both professionally and emotionally. I gave him my business card with the witting feeling that he would call, but I had no idea if it would be in a season or a while. I purchase a lifes philosophy that things happen when they should.

Hal called about six months succeeding and we had bee together; stuff moved very rapidly, powerful rapidly for my comfort, but I felt emotionally defended with him and we connected hearty on profuse levels because of all we had in common.

Over this time, the pain of losing my spouse had grown softer and the sweet memories stronger, but I did feel a need to talk to my adult step - daughters. I wanted to know how they felt about my becoming romantically involved again, and to assure them that my new feelings for Hal did not in any way change how I felt about their father, or themselves. As for myself, I didnt feel disloyal to my late husband, or feel that my new relationship in any way lessened my love for him. My step - daughters not only understood my need to re - create a life that once again embraced a loving, romantic relationship, but encouraged it. Bless their hearts, for they instinctively knew that I wasnt trying to replace their father or the relationship we had created among ourselves and continued to treasure, that I would simply be adding another dimension to my life.

My late spouse wasnt retired, so our days had been traditionally structured. Although I have always worked at home, I liked knowing I had work time to myself. Hal is retired and since Im self - employed, we can live our lives spontaneously. The challenge was in my not being able, or even willing, to be as available for Hal as he would have liked. My late spouses personality was entirely different from Hals, but I found each to be compatible with mine. Hal is much more romantically demonstrative, which I enjoy. However, I dont compare the two, and so, the difference has not impacted our relationship.

Moving from intellectual concept to emotional reality, overlapping my loving and my grieving, required a giant leap of faith when it came to becoming involved in this new relationship. I was scared. When I met Hal, almost a year and a half into my mourning, I was finally doing okay. I had a satisfying career, good and loving friends and family around me, a satisfying balance in my life. I was feeling good, strong and grateful for the joy that my life once again embraced.

No longer did I think sex would be part of my life, and that was fine, as I was putting my creative energies into other aspects of my life. While the idea of perhaps loving someone was always a possibility, intellectually, I knew that if it happened, okay, if not, my life was fully satisfying. Well, this new possibility knocked me for a loop; this attraction to Hal was emotional, intellectual, and yes, physical.

Slowly I began to trust and enjoy Hal. Or, perhaps, better said, I began to trust myself again to be emotionally safe in a new relationship and so, I was able to meet him halfway. Its still scary, but my level of comfort continues to grow, as does out relationship.

Excerpted from THE HEALING POWER OF LOVE: Transcending the Loss of a Spouse to New Love by Gloria Lintermans & Marilyn Stolzman, Ph. D., L. M. F. T., Published by Champion Press, Ltd. ( ISBN 1 - 932783 - 51 - 2 ).

Yuuki Obata ' s Stories And Her Characters

Born on Hokkaido, Japan Yuuki Obata draws babe shoujo manga with crucial romance and school motifs. Baby doll began portrayal very young and later a learning break kept it up to send publishers her works 3 years following. Open, the Shogakukan publishing realized her dreams releasing her first mangas 1 continuance subsequent. In 1998 mouse won Shogakukan ' s New Mangaka prize. Clock sending out to publishers, girl had to yield an assistant ' s afafir.

At an interview cutie confessed to have been mainly into by Fusako Kuramochi and Ryou Ikuemi. Proximate their represantation manner, babe again tried to make her works through lively being possible. One of her favs is Kuramochi ' s Tennen Kokkeko with its beautiful countryside landscapes. It ' s a 14 - volume manga winning the Kodansha Best Shoujo award in 1996. In 2007 Tennen Kokkeko underwent a live movie adaptation.

She ' s basically known for Bokura ga Ita. Even if not having read it, you ' re sure to have watched the same anime. As a mangaka, since 2000 she ' s released the following works:

* Kimi no Kachi ( 2000 )

* Suki Kirai Suki ( 2000 )

* Maru Sankaku Shikaku ( 2001 )

* Sumire wa Blue ( 2002 )

* Bokura ga Ita ( 2002 at present )

* Sweet ( 2003 )

Her characters are mostly called by their first or even nick names. So she emphasizes contrast between main and minor characters. That also affects their sketch style with leaders usually outlined more precisely and drawn more markedly.

2000 featured her first work as a short story collection, manga Kimi no Kachi ( You Win ):

1. You Win

2. His Back, His Heart

3. Spring Fever

4. Constellation In July

5. My Beautiful Boy

With vivid and sensitive feelings of every girl, it ' s her top school love story.

Manga Suki Kirai Suki ( Like, Dislike, Like, 2000 ) is a hit tender love story. Hitomi adores Miyamoto, a cocky cute schoolboy. Only awkwardness stops her from a confession, which she leaves for after high school exams...

In 2001 Obata released a 2 - volume Circle Triangle Square ( Maru Sankaku Shikaku ). It ' s her manga No. 1 she ' d been drawing for 3 years in her favorite light - hearted comedy style.

Manga Sumire wa Blue ( My Blue Violet, 2002 ) in 2 volumes features Kinoshita Sumire. Shy and inferiority - complexed Kinoshita noticed Makimura Daichi in the library, intrigued by his pencil twirling. He ' s a famous hockey player, secretly loving his childhood friend, Shouji. But despite all differences, Kinoshita and Makimura build up intuitive connection.

Manga Bokura ga Ita ( We Were There, 2002 ) first planned as a 5 / 6 - volume edition got so popular its publishers asked for a sequel. Now the manga counts 13 volumes with more to come even after a 1. 5 - year silence ( 2008 - 9 ) when Obata took a break for personal reasons. The story promises at least 14 volumes. Viz Media licensed the edition for the North American market.

The manga depicts starting high school life. In this romantic period of first love affairs girls lose their heads. Only Takahashi Nanami ( Nana ) in the same class with a heartbreaker, Yano Motoharu can resist the hot temptation...

In 2006 the manga underlay the same 26 - episode series covering its first 8 volumes. It was directed by Akitarou Daichi who had also shot animes after Fruits Basket, Ima, Soko ni Iru Boku and Animation Runner Kuromi.

Another manga bore We Were There White Fan Book ( Bokura ga Ita Koushiki Fan Bukku ). Its character profiles, summary and series commentary from Obata were published by Shogakukan November 25, 2005. December, 2005 saw its 36 - page postcard book release.

2003 released a cross - author story collection, Sweet - Enchanting Tales of Love with a chapter ( Sumire is Blue ) by Obata. Presently Obata is working on Bokura ga Ita ' s 13th volume with no other plans beyond it so far.

Writing the Story of Your Life

One day there will be a ONCE UPON A TIME line depicting the story of our lives.

Once the story has been written it cannot, then, be changed. It will be history. It will be the truth. It will be, of a sense, non - fiction.

But before the story finishes, in this meantime title, the story is being built in more of the sense of a trumped-up novel - because we further our imaginations significantly to build the story.

Of course, there are the situational determinants that fashion the boundaries of our story: how our families are comprised; the make - up of our living environment; what we do for a living; the times we live in, etc. This is the bottom line that God has obsessed us, consequently far, to pains within.

But God gives us a symbolic flap over the rest.

We are writing, day by day, showdown by compromise, the story of our lives. We decide. And we have more power than we often think. God has put the pen in our hand. The paintbrush for the illustrations is poised with wet paint upon its bristles.

Our minds and our hearts are involved. The environments with which we live and the way we think are helping to build the story. And like all stories, with their shattering lows, we can begin to lament being involved. But the best stories, and ours is one of these - a story to be sure that is anointed by God - always have a climax; and a good ending.

Against all odds, and all divisive themes, our lives can be written in such a way as to inspire those coming after us; even those already on the journey.

LEARNING TO BECOME A GREAT STORYTELLER

Sometimes we see ourselves more in the vogue of the non - fiction writer - our lives are like encyclopaedias. Life like this can appear drab; full of fact, with little meaning.

Our challenge, if we believe in such challenges, is to weave in the imaginative ' fictional ' writing style. This is to give shape and meaning to a dream; to a vision we have for our lives. This is us with pen and paintbrush in hand, ready to write and paint. This is us not accepting that every fact will be written for us.

When we become a great storyteller, and we all have the potential to become such a person, our lives take on a transcendent quality. We open each day full with possibility. And our potential becomes more visible to us. Suddenly, we feel God calling us to build - in certain components into our stories. And to this we feel empowered.

WANTING TO BE IN THE STORY

Many of us have this problem: we don ' t want to be in the story of our lives.

For many reasons this is how life is. Perhaps we are fearful of life, having been hurt. Maybe we are disappointed with life; it hasn ' t turned out as we expected. Sometimes we can feel confused and overwhelmed with life and we withdraw.

But now we sense an opportunity.

With our minds now sponsored by the flourishing passion within our hearts, we believe afresh. Our minds are being opened to a different possibility. We may wish to kindle the imagination; to stoke the furnace of creativity so as to turn a corner within our story. A vision is formed from a dream that inspires us. We wonder within the mystery of actualisation - how can we, or will we, bring this to pass?

All it takes is wanting to be in the story; to take our place in life.

* * *

The rest, as they say, is history. One day people may very well ask who we were; what we did; what we stood for; what we achieved; whose lives we impacted; what we did with our lives.

Isn ' t it strange, that we, by the things we did with our lives, will somewhat be answering these people? Other people may filter or distort our stories, even exaggerate them, but the bare facts will remain. What do we want said about us?

* * *

All our lives are grand narratives. Not one is less significant than another. God decrees that all stories of life have equivalent prominence within the Kingdom of Heaven.

* * *

The stories of our lives, within certain boundaries, are written by us. God has given us a pen and a paintbrush, and each day is a page. What we write, and the style we write in, is up to us. How is the story turning out so far? More importantly, how will it end?

What Lessons Can Kids Learn From Reading

Lessons in life are very crucial things that help kids become flourishing rounded persons when they stem up. The values of love, graciousness, honesty, politeness, deference, purity, and other vital lessons should be taught to kids early in their life. Books are one of the great utensils that can ground children these crucial lessons.

Providing kids with books to study containing children ' s stories and fairy tales will establish their imagination and creativity, and cram valued lessons over they amuse the child at the same time. In this method, the values and standout lessons in every story are better absorbed and understood by children. Fairy tales and children ' s stories are good to begin with to get the children ' s attention when reading. Developing reading skill early also increases the childs reading comprehension and vocabulary. Both of these will be valuable later in the childs life when they are students.

The Lesson Learned from All Children ' s Stories

A fairy tale or a children ' s story usually contains a valuable lesson at the end. A good story stimulates a child ' s imagination as well as teaching him or her the lesson that the story wants to impart. The lesson can be not to give up, or to not judge others, or to help people in need. Whatever it is, the child will often absorb the lesson without realizing it.

In all children ' s stories, the main characters encounter challenges and obstacles along the way but everything will still end well. Children ' s stories teach kids to persevere no matter what the difficulties, because kids will believe that everything will end well if they continue to not give up.

The Value of Not Giving Up

The value of not giving up is one of the most important lessons for kids to learn so they can become successful in their future. This lesson teaches kids that no matter what kind of challenges they would encounter, if they learn how to not give up, and if they persevere, and remain optimistic, everything will end well.

The lessons contained in all fairy tales and children ' s stories are very important things that every kid should learn. These lessons, once learned could spell a child ' s success. What kids learn from reading these wonderful stories and the lessons contained in each will serve as their guide so they can become very well rounded, successful persons someday.

Learning Life Concepts from Books

Children can also learn important concepts and ideas from books as well. They can learn how money works, important ideas on safety, which adults to trust, the importance of religion in peoples lives, and other important life concepts. Learning these concepts will arm children with valuable information on how to navigate life in our growlingly complex society. Children who learn these concepts early will have a leg up on others who dont, which will give them enormous advantage later in life. So encourage your children to read early and often, they will thank you later.

Writing Your Life Story - Ten Common Questions

Have you ever dreamed of writing or co - authoring your life story but been compelled back by fears and doubts? I help people write their life stories and would like to examine some common fears and questions that could get in the way of your daydream of writing a memoir. 1. What if my life hasn ' t been that interesting? What if I don ' t have commodity original to rumor? You could be selling yourself short. Just having the subscription of life, with all the tremendous unrealized that entails, makes the life of each one of us interesting, however ordinary it might seem. In the process of writing, we examine our lives more closely and usually discern that seemingly small things might have more significance than we ' d deliberation. And if you ' ve written honestly about your life, wherefore what you have to answer is original, as each one of us is individual; no one other has surely the duplicate story to tell. In telling your story, you ' re embarking on a voyage of self - discovery that will enrich your book and your life. 2. Who would want to read it? Isn ' t writing about myself egotistical? If you ' ve written an outright, sensitive book, therefrom you ' ve necessitous into a universal core of affection that will make it more than just your individual story. Other people will be able to identify with it, and if you ' ve written your story well, then it could be a great gift to them. Only stories that are shallowly written or dishonest are egotistical exercise 3. What if I ' m not a writer, or not a very accomplished one? Some people are more articulate as speakers than writers. If you fall into this category, you can hire a qualified person to interview you and write your story. If you like to write but don ' t feel you have enough experience to write a book, you have some options. You can take a memoir writing class; there are some good classes available. If you decide to work on your own, there are many helpful books you could read, such as Turning Memories into Memoirs: A Handbook for Writing Lifestories by Denis Ledoux and Legacy: A Step - by - Step Guide to Writing Personal History by Linda Spense. Another option is to hire a writer to collaborate with you on your book. 4. Would hiring a writer to help me with my life story be expensive? The cost of the project could be looked at with the perspective of what ' s really important to you. Many people feel quite comfortable spending thousands of dollars on a family vacation or a new car. Perhaps writing your life story might be just as important to you as this vacation or new car. Or it could be even more so, because it would leave you with something permanent, a legacy for your family, friends, and future generations, as well as a potentially valuable voyage of self - discovery. 5. Would the story still be mine if someone else writes or co - authors it? Yes, if the person you hire is careful to maintain your own voice so the story feels genuinely like yours. 6. How long would this project take? If you ' re working on your own, it could take several years. But if you hire a writer or collaborator for your book, then the process will be quicker, maybe even as short as several months. 7. What if I ' m nervous about revealing all the intimate details of my life, especially things I ' m ashamed of? Your memoir could be just for yourself, a journey of self - exploration that no one else sees. But if you desire a wider audience, then this is a valid concern. One thought is that you could touch with compassion and your present level of awareness aspects of your life that evoke shame for you. We all make mistakes, and if you can be compassionate about yours, then it will be easier to share these parts of your life with others. Also, writing involves selection; you can always decide what to include and what to leave out. Through the process of writing, it will be easier for you to decide what ' s essential to your story and what isn ' t. 8. What if my family and friends get upset by what I say about them? I ' m concerned that I might be violating their privacy. This is a delicate issue. Again, the book could be just for you. But if it ' s for a wider audience, then you might need to weigh what ' s more important to you, writing your life story or not hurting the feelings of people you ' re close to. If you write as compassionately and honestly as you can about your life and those close to you, then you ' ve done your best. The people you ' ve written about might see themselves in a new and more empathetic light as a result. Of course, there ' s always the possibility they might not. Although your writing may be compassionate, there ' s room for feelings of anger too. But if including certain incidents or details would cause more harm than good in your estimation, you can always leave them out. 9. If I ' ve forgotten a lot of details about my life, would it be dishonest to make things up? It would be dishonest to invent incidents that never happened but not to fill in the details of actual incidents as best you can. Very few of us have total recall of all the details of our life. But if we make a strong effort to stick closely to the facts, that ' s all we can reasonably do. And in the process of writing, you ' ll find that buried incidents and details will surface, one association leading to another. 10. How do I get my book published? Trying to get your book published by a mainstream publisher could be difficult, as it ' s a very competitive process; only a small percentage of books submitted to mainstream publishers get published. For some books, though, this direction might make sense.

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Writing The Short Story Quick Characterization

Most short stories are about a main streak doing or motility something. When writing the short story it is vital to inaugurate the shape ' s relevant personality essence and underlying motivation in a quick, precise, fashion and thereupon let the lion ' s share of the story be about the doing. Here are some suggestions.

The longer the story, the more space you can earmark to characterization when writing a short story. Owing to a rule of dispense, unless it is strictly a spirit study, expend no more than 1 / 16 of the space establishing the complex ' s description.

In novels, a standing ' s personality can be demonstrated in that he or skirt is shown interacting with others or with aspects of the footing ( kicks dogs, hugs old women, gives to a charity, drives carelessly, crosses the journey with concentrated caution, and so on ). The preacher comes to make out the nature of the character by interpreting its actions even if never actually described. In a novel, an evil monster of a person may never be referred to in those terms. In a short story you can bet it will be! When writing the short story, crisp, definitive, adjectives and adverbs placed early in the piece are essential. Get the character established quickly and then keep him true to it as the story progresses.

I once had a creative writing teacher who hated adjectives and adverbs, contending they were a lazy author ' s way of doing what the larger context of the story should establish. I never fully agreed with that but she was a very successful author ( of novels! ). I especially disagree when writing the short story in which space for expository description is so severely limited.

Let ' s examine some examples of quick characterization as might be used in writing the short story.

In a novel one might begin with: The man sat alone on the porch in the rocking chair. It might imply a reclusive old man who was relatively inactive or tired, but the reader wouldnt know those things for sure until the author expanded the concepts. When writing a short story that sentence might become: The gaunt, gray haired, old man sat alone on the porch, motionless in his rocker, the mere thought of making it move exhausting him.

Another example from a novel: Mary went for a walk. It will take much elaboration for that information to become relevant to the story. When writing the short story that might be used as a grand opportunity for some crisp characterization. Mary, who had long since seen 80, pulled the red kerchief tightly around her gray hair, securing it against the morning breeze as she entered the familiar park in which she had played as a child.

One more as it might appear in a novel: Jasper was an unattractive man. When writing the short story that might become: The old man hated his name Jasper the same way he hated his high, wrinkled brow, narrow, sunken face, large nose, pointed chin, and over sized ears. By turning those original five words into 27 you have provided the reader with the equivalent of perhaps several pages of useful information as it would evolve in a novel.

Sometimes a single modifier can make the character. Transform the phrase, Her approach to life was consistent, into, Her upbeat approach to life was consistent. That one word addition changes the characterization from perhaps a rather bland person who may have been in some intransigent rut, to that of a perky person most us would like to meet and be around.

When writing the short story it is important to bring your character ( s ) into vivid focus in one or two precisely crafted sentences. The more character ' s there are the less space you have to allot for each.

Writing Tips - Whose Story Is It

About a stretch ago, I was listening to a guest speaker - - let ' s call him Tom - - at a writer ' s sort. He was speaking about characters. " In the first half of your story, " he uttered, " let your characters do what they want. But when you get to the second half, you ' ve got to sovereignty them in. " Tom was ten insistent, and it was all I could do to not skip up and shriek NO!... not to the first half of his statement, but to the second. I was reminded of that story some months next when I began working with a new coaching client. Nymph ' d written a powerful memoir - - so powerful that it had been nominated for a literary award. Now, a prepared type had accosted her in a atramentous Irish glen and was insisting that teenybopper write his story. " But I ' ve never written a novel, " dame exclaimed. " I don ' t know how! " " You don ' t have to know how, " I replied. " All you have to do is write his memoir. " Gadget is, whatever story we ' re telling - - whether it ' s a novel, short story, stage play or screenplay - - we ' re writing someone ' s story. What we ' re writing is their story. And what we ' re ofttimes discovering in that first draft is not only what that story is but who that character is... who all the characters are who make up that world. Tom ' s point was that we spend the first half of our story discovering who the character is. From there, we spend the rest of the story making sure the character hews to that portrait. My point is that we may only truly discover who that character is and what she ' s about by writing through to the end. Why stifle the creative process just when we ' ve finally surrendered to the story ' s unfolding? Why limit ourselves and our characters by insisting that at a certain point in the draft, character and story are fixed for all time? When I was working on the first draft of my latest novel, I had a pretty good idea who the villain of the story was and to what unpleasant end she would come in the final scenes. At least, I thought I did... Then, on my last day of work on that draft, as I was letting one of the final scenes write itself, something unanticipated happened: Instead of the ugly death I was expecting, the villain had a profoundly redemptive experience that, within a few paragraphs, had transformed her from ugly antagonist into a positive force for continuing good. I was stunned. In that moment, I had two choices: I could follow Tom ' s advice and refuse the villain her redemption, or I could surrender to the character ' s higher imperative and permit the alchemy to occur. I chose the latter, not only because I believe my stories and their characters are smarter than I am, but because my villain ' s transformation supports one of the story ' s central themes in ways I would have been hard - pressed to consciously manufacture. In my first novel much about one of the principal characters shifted - - not only through the first draft, but through many of the drafts. He shifted not because I couldn ' t reign him in. He shifted because, through the writing, I began to understand more clearly who he truly was, both within himself and to the story. In the " rules for character - building " that I use when I teach workshops on characterization, Rule #10 reads " How did John become Jane? And why is she suddenly the villain? " Often, characters in our stories want to undergo radical changes through the course of that first draft. Too often, we follow Tom ' s advice and refuse them that freedom. My view is that our job as Writer God is to give our characters absolute freedom through the entire first draft of our story... and, sometimes, beyond. Unlike Tom, I say, Let your characters be as inconsistent and mercurial as they want to be. Let them veer off in completely different directions partway, if that ' s what they choose. Let your villains become heroes and your heroes become villains. Let them change names, physical characteristics, motivations and story - significance. Let them change gender. Only by allowing them that freedom in your first draft will you learn who they truly are and be true to their story. Let your first draft, as I said earlier, be your journey of discovery: of your characters and of their story. Through that journey, you will grow into your story and its characters. You might, as I did, only discover something of major significance about an important character on the final page of the draft. That ' s okay. Use your next draft to bring consistency to the characters you now know more fully. Remember whose story you ' re telling... and get out of the way! How can you better trust your characters to reveal themselves to you? How can you stop trying to control your stories and, instead, let them emerge organically? How can you better surrender to the magic out of which all creativity is birthed? How can you trust that your stories and characters know themselves better than you do? How can you let yourself be surprised - - by your characters and by their stories?

Your Story How Your Schema Determines Your Financial Results

What ' s Your Story? The stories we tell each other - and the stories we tell ourselves - are often based on what we in truth believe. Our worldview allows us to see things through our own cerise - colored glasses, especially when it comes to pay. Schema is a word in psychology that describes quantum of several concepts including:

An organized marking of deliberation or behavior.

A structured cluster of pre - conceived ideas.

A mental structure that represents some aspect of the world.

A specific knowledge structure or logical representation of my self.

A mental framework centering on a specific keynote

Structures that harmonize our learning and assumptions about something.

Your story, and mine, is the starting point for interpreting and processing information. Our stories influence goods we regard, perceive, and do. When I meet with people, I recurrently ask them a couple of questions: " What are some of your early memories about check? " and " What are some ways those experiences involve your attitudes and choices about green stuff today? " I ' ve been bothered at some of the stories people have told me, and I ' ve also been amazed at their insights about the life - changing impact of these experiences.

A Beautiful Ballerina Story

Kim told me that when she was about five years old, her aunt suggested that she save some of her 25 - cent allowance each week to buy something she really wanted. Instantly, she knew exactly what that would be: a ballerina watch! She had seen it at a store for $3. 25. Kim saved her money every week, and in exactly thirteen weeks, she and her aunt marched into the store to buy the watch. Kim reflected, " To this day, I ' ve always realized that to get something I really want, I have to be disciplined to save for it. That ' s a lesson I learned from my aunt and a pretty pink ballerina watch. "

Financial Child Abuse

Janice told me about a friend who was repeatedly abused sexually by her father. The day after each encounter, her father bought her something nice to buy her silence. Today, years later, whenever she ' s anxious, Janice ' s friend spends money on herself so she ' ll feel better. The connection between the pain of abuse and gifts from her dad is still riveted on her soul and her spending habits. The trail of her maxed - out credit cards leads directly back to those days when her father tried to put salve on her pain and his guilt by buying her nice things.

Some of us can easily think of our " first memories " when we were very young, but others more easily recall the delight of getting their first paycheck from their first job in high school or the finances related to some other important event in their lives. Most of us can remember several events pertaining to money that shaped our lives. The important issue is to reflect on events that are important enough for us to remember them. Each of these is significant in more ways than we first imagine.

The questions I ask my clients are helpful to everybody, but they may be especially helpful to those who want to understand why they experience certain emotions and behaviors in the money department. Sometimes when I talk about finances ( and specifically spending habits ) to people, some of them shake their heads and tell me, " I don ' t know why in the world I do some of the things I do. Sometimes I buy things even though I know I can ' t afford them. It just doesn ' t make sense. " But actually, if we connect the dots of our present attitudes and behaviors to important moments in our past, it might make perfect sense! With those insights, we more clearly see our choices so we can make better decisions.

It takes a little time and effort to think, reflect, and write out your story but the benefits can be very rewarding when it comes to your finances. I hope this article will make a difference in your life. Based on the hundreds of stories people have shared with me over the years, I ' m convinced that it does make a difference when you take time to write it out. So, What ' s Your Story? And, how does your story impact the way you manage money?

Writing A Success Story With Copywriting Websites.

Writing is an acquired skill. It is of great importance both in business and in literature and is considered to be a very specialized talent. Unlike before, with the stay of communication developing and constantly adulthood, writers are finding new ways to enlist their skills in a fortunate and profitable fashion. There is a growing demand among companies and marketing agencies for writers with an endowment to write in simple but convincing language. Copywriting has developed into the most prime profession for multitudinous writers looking to put their skill to good use. The need to create documents, press releases and articles according to business and company requirements, has led to the rising demand of copywriters in the market.

Copywriting is the skill used to create promotional articles, copies and write ups about products and companies. This is mainly used as a tool to help the organization create a positive image and persuade customers to buy or use the products in the market. With the rising competition and increasing market space, it has become crucial for companies and services across the world to promote their products in the right manner. The services of an efficient copywriter has become of vital importance in these cases. The writer possesses the ability to create credible, authentic and persuasive copies which can undoubtedly influence the sales of the product and services in the market. This is one of the main reasons for their demand among the modern businesses.

The rarity of the skill of writing has led to its evolution as a lucrative business option. There are many writers who have taken up freelance copywriting services to increase and supplement their income. But copywriting remains a niche skill and needs copywriters to follow certain guidelines for success. Key among these is the understanding of the market. Copywriters need to focus and create articles which reach out to their market and engage them. This is why it is important for them to be familiar with their industry and the market. Most copywriters choose to involve themselves with markets in which they are familiar. The development of niche writing skills enables them to create better and more attractive articles.

One of the main advantages of freelance copywriting remains its flexibility. Many people find it profitable and convenient to pursue a freelance writing career while pursuing their day jobs. There are many simple options available on the internet which makes it easier for copywriters to make an earning through the use of the internet. There are many websites which provide freelance copywriting assignments to writers and help them make the most of their talent and skill online. These websites provide the copywriters with an interface to find assignments and lucrative freelance projects to make a success of their writing career. However, writers should be careful when picking assignments and should always choose a reliable and popular website for this purpose. This will help them find the right projects in their niche and make the most of their talent. These copywriting related jobs are among the best ways for a writer to create a success story of their own.

Writing A Short Story - 5 Key Steps

Writing a short story is fully different than writing a novel. There is the time cause and talk usage to cut into consideration. It takes discipline to retain your short story immense with flashy life experiences in because few words owing to possible. Here are five key steps in writing your short story. 1. Topic The keynote is your supporting structure in your short story. The keynote is what you paste your plot, your characters, and your longitude to. It is the foundation that holds your story together. The conflict and how it gets resolved wraps itself around the argument of your story. 2. PLOT The plot is the introduction and the series of events that happens throughout your short story. It is going and suspense. It is the romance and response. The plot involves some type of conflict that needs to be resolved. Your plot has a beginning, middle, and an ending. A good story needs a hook in the beginning to draw your reader in and keep him turning the page. Then of course, always remember to save the best for last - - the surprise twist ending to leave your reader satisfied. 3. CHARACTERS It is important not to crowd your short story with too many characters. Use two, perhaps three characters, at the most. Most of your story will surround an important event that proves crucial in the life of your protagonist. Every word counts. Too much characterization and description can debase the affect of your story. 4. STICK TO THE POINT Stick to the theme of your story. Make sure you don ' t overpopulate with unnecessary detail. Follow the narrow path of your theme. If you must digress, make it short, otherwise you will lose track of your purpose and get bogged down with a smorgasbord of trivialities that you don ' t want. 5. THE SENSES Keep your short story alive and vibrant by using the five senses - sight, sound, smell, taste and touch. The five senses add depth to your short story. You will see your images more clearly. A character or a setting once flat now speaks to the reader and becomes real. Here are some examples from one of my writing lessons of a few years ago: As the old man pressed the canteen to his blistered lips, he savored the last drops of the precious liquid, and felt the wonderful wetness trickle down his parched throat. ( Taste ) She wondered if her eyes were not deceiving her as she caught a glimpse of a shiny, round object glimmering on the sidewalk. ( Sight ) The stench of human waste and cheap wine filtered through wet air as she pushed her cart past poor old souls taking refuge in the shelter of cardboard boxes. ( Smell ) Long buried pain began to surface as she recalled how she watched her beloved, Teddy, suffer till the end. ( Feel ) The train swayed gently and the click, clack of the rails rendered a soothing timbre, lulling Tyler into a deep, peaceful sleep. ( Sound ) Notice how each one of the above conditions drew you in and made you want to know more about the character or the setting. That ' s the key to using the five senses. The five steps should help you get started. Once you ' ve written your short story, go back through and delete unnecessary words or paragraphs that do not contribute to the theme or plot. Short stories have rhythm - make every word count. Most of all have fun while you write your short story. The Write Hook

Which Story Do You Believe in

Dearest Darling Friends,

The demonstrate of Indian Hockey group, Michael Nobbs, is an use by training and a big Steve Jobs stone. Just like his inspiration Steve Jobs, he looks for ways to use technology to get bigger results. He persuaded Hockey India to cede every actor an iPad. The players use the device to study their sport and those of their competitors.

" But, " he says, " it ' s not just about technology. It ' s more importantly, about the story. It ' s in making every gang item believe in the alike story. A story that says, they can compete and win condemn the best hockey teams in the world. "

The story he ' s actual everyone to believe in is that they have to break into the top six. " We are more confident of our sport, skill and sound capabilities than ever before, " says Bharat Chetri, the gang ' s affable head. He believes, once you ' re at the international stage, the specialist, tangible and skill differences between teams are minor. The story you believe in, is the differentiator.

Olympics is on. It is exhilarating to watch the best competitors from all over the world, compete. Each one of them has prepared for years to reach here.

Their commitment, their dedication, their passion, their talent is beyond question. The victory margin between the gold, silver and bronze medal winners are insignificant, minuscule. However, this insignificant difference makes all the difference.

While all of them did come to win, when it mattered the most, while preparing AND performing, the winners BELIEVED in the story more than everyone else.

Each one of us lives life believing in ' something ', some story. Which story do you believe in?

Luck plays an important role in life / I will create my own luck.

It is difficult to give up on smoking, drinking and other habits / I am the master of my habits.

I don ' t have enough capital hence I cannot make it big / I will be able to raise as much capital as required.

It is so difficult to get good employees / There are enough good people out there searching for a great job.

My family does not support me otherwise... / I will make it big irrespective of the support of my family.

With this person as my spouse, I can never have a great married life / With this person itself, I will create a great married life.

I am not good enough / I am good and meant to be successful.

I can ' t do this / I will learn and master it.

My memory is bad / I will train my memory to be the finest.

I am not intelligent enough / I will either become intelligent or buy the necessary intelligence.

Since I have studied in vernacular medium I can never speak good English / In six months I will learn to communicate in fluent English.

I am not good looking hence I always feel inferior / Looks? It has nothing to do with what I can become in life.

I don ' t have enough / I will use what I have and get what I want.

I am not strong enough / I will become absolutely strong.

Love is painful / Love is bliss.

Nothing much can happen in my country / I will play my role in the making of my country.

No one loves me / So many people love me.

Children don ' t listen nowadays / When addressed the right way, children respond brilliantly.

All alone, what can I do? / I can and I will bring about the desired change.

Believe in that story that helps you to live a peaceful and progressive life. That will be ' smart living '. Your life is the story YOU believe in. Lets live a great story.

Believe in a GOOD story about you. And make it true.

Whatever must be done for it, go ahead and DO.

While one person sees the thorns and frowns, the other sees the rose and smiles. The third sees both, avoids the thorns and enjoys the rose.

Which one is you? Indeed, which one is YOU? There are thorns in every path. Someone just complains, someone else just goes and wears a shoe.

Something is broken. Someone just complains, someone else just goes and gets the right glue.

Which one is you? Indeed, which one is YOU?

With loads of love, prayers and best wishes,