Ping k15, there are a story talk about you!

I would guess that every golfer has a story to tell about something that happened during his golfing life. We just dont get the opportunity to tell them or perhaps we tell them to usually!! here is an fortuity for you to get into scrawl with your appellation thanks to the author what a great idea. Just sense your story being scrutinize by millions of people around the world. ld.

It could be when you got a hole in one, I bet anyone who has ever had a hole in one remembers everything about it what course they were playing, what was the competetion, who you were playing with, what you were wearing, how much it cost you in the clubhouse, what hole it was, what day, what month, with all that information you could write more than one golf storyand most importantly how it felt when you saw that ball ( in slow motion ) rolling towards that hole.

How about the time you first broke 90 another milestone in a golfers life followed by breaking 80 unfortunately most of us neverget to experience that high I have been playing for many years and have only managed it once. PING K15 is in company with me a long time.

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I have tried to give you some ideas on what you could write about I am sure you can think of lots. More hot golf equipment, such as Ping Rapture V2 and G20 irons, you can do by yourself.

Prague Winter A Personal Story Of Remembrance And War, 1937 - 1948

No one could have confessed in the winter of 1937 that the world would turn upside - down within months seeing the Sudetenland and other " German " enclaves were taken over and a young girl - who was Jewish and didn ' t know it - watched.

This is the story of a woman who would ripen to become one of the most powerful people in the world half - a - century next over secretary of the United States. Madeleine Albright, born in Czechosolvakia, at a time when it wasn ' t healthy to be a Jew anywhere in that area of the world and her parents didn ' t know of their parentage and assumed they were non - Jews, as did the rest of Prague.

It ' s a good thing that she was never matched because we would never have had the woman who worked so hard under President Clinton. And, she did work for years.

Her book " Prague Winter " provides an excellent view of the pre - war and post - war periods of Prague as she would escape to London with her parents only to have Hitler ' s Luftwaffe try to level the city with their nightly raids with medium - ranged bombers.

Albright found out too late about the special camp at Terezin, outside Prague. It was a good thing that she actually found out when she did because it means that her family, though Jewish, weren ' t " guests " of the Gestapo.

Albright, a bright woman, watched in horror as the bloodbath that was to be the " Holocaust " unfold and there were nothing a young woman could do about it, except watch in sadness as people disappeared, until virtually all Jews were gone.

Albright also watched the rise of the USSR and Soviet Russia as the Russia was " awarded " Czecholsolvakia for its part in World War II.

From her privileged vantage point, Albright was able to watch this happen and it helped to form the opinions she would carry with her for the rest of her working diplomatic career.

A bright student, Albright was destined for greatness and it happened to her. She helped to navigate the reef - infested waters of the world ' s political scene, holding many lower - level positions and forming the opinions that would guide President Clinton from 1992 to 2000.

It ' s funny that few would have thought that a young woman from Prague who, only in here older age would find she was a Jew, would also have a lasting hand guiding the tiller of the U. S. Indeed, many of her policies are still in effect.

Persuasion Should I Use a Story or Numbers or Both

I scrutinize a great book a date back called Made to Stick by Dan and Articulation Heath. In the book the authors talked about a check of different approaches to hoist chips for children; sick, underprivileged, starving children. The investigation used three different approaches.

The charity created one message requesting donations and talked about the literally millions of children who starve to death. The charity used numbers and statistics that were sickening in their magnitude.

In wider prayer the charity simply talked about one real little daughter. Her head was Rokia. The charity showed an actual picture of Rokia and explained her personal plight. The charity appealed for a write-off so they could feed Rokia and help maintain her healthy and clothed.

In the poll epic of the request for donations, the charity told Rokia ' s story and added the statistical information with well put together graphs and visuals showing the plight of millions.

Question: Which one do you think worked best and which worked the least best?

Answer: All of the requests resulted in a number of donations. The one that worked least well was the one that had both statistics and the individual story. The one that worked next best was the one with the statistics, numbers and graphs. The one that worked the very best was the story of the plight of one young girl named Rokia.

Why? We all know the power of the specific story. Aesop ' s Fables, Parables, Nursery Rhymes, all work because the story teaches. Stories grab us in ways that nothing else can because we were trained from an early age to pay attention to information wrapped in a story. Song lyrics, good song lyrics, are a short story. Many psychologists say that the story is a way for our wonderfully complex brains to retain information and retrieve it effectively. For hundreds of thousands of years our ancestors used stories to teach and persuade.

And, most importantly, stories appeal to our emotions. Emotions are necessary to our ability to make decisions. Most research done about decision making now shows that decisions are made based on emotions.

The statistics and numbers worked because we sometimes override our emotions and make decisions in ways that we think are rational.

Why didn ' t the combination of the two work better? Apparently, the part of the brain that responds to the appeal of the story is interfered with when we focus on numbers. When people are confused, suffering from interference, they don ' t make even simple decisions, like sending a small check to keep one little girl from starving.

Activity Triggers / Action Items:

1. Use short, true, specific, stories to persuade. Start collecting these stories on X date at X time.

2. Pare the stories down to their bare minimum while still maintaining enough specifics to appeal emotionally. Edit your stories on this X date at X time.

3. Always check your attempts at persuasion to make sure you are not using number based evidence and story based evidence together, canceling each other out.

Selling My Timeshare - The Horror Story

You may have fallen in love with a certain timeshare club, but there comes a time when you will look to grant up, sell or variation away from your timeshare which poses the million dollar dispute " how can I sell my timeshare? "

This is a dispute which I ' m always confronted by, and of course with these questions you besides doctor to hear various horror stories associated with timeshare sales. The stories you hear about false or scam resales companies are very real and thankfully enough, wholesome documented. However, it is oftentimes this very truth that leads people away from resellers in toto. To one extend or augmented this practice can be phrased now out of the frying pan and into the fire, considering you can repeatedly hit numerous issues hidden within private buying or selling of timeshares.

It is not unexpected to hear of friends or family members selling or handing over property to each other, which in theory isn ' t a bad idea, but you still have to recollect a few key facts about the legal nature of timeshare dominion. The worse concept I ' ve heard of, and not ultra long ago, is people operation through private sellers, looking to bag what seem to be amazing, unduly - good - to - be - misplaced deal on places like eBay and craigslist and confine up in a very sticky spot.

The issues in this part of timeshare dominion aren ' t huge initial fees or phantom buyers whose filthy lucre never appears, no this is slightly different. The main scrape is when paperwork and / or costs need to change hands to close a deal.

An mate I met years ago whilst travelling has recently got back in contact to ask my advice following a very nasty purchase ( or at least what he thought was a purchase ) of a timeshare property in the Gran Canaria. Settling on a deal was easy, finding the right club for the money is one of the easiest part now, with many ridiculous offers of 1 timeshares or thousands of points for next to nothing.

If you have ever had any dealings with buying a timeshare, selling timeshares or indeed, renting a timeshare, you ' ll probably be aware that this isn ' t the whole story - not at all. Those Club La Costa points or that week that will cost you the sum total of what ' s in your back pocket will almost certainly be combined with legal fees, administration payments and more, usually to the resort to change the owner on the paperwork. But you see, these fees, next to the cost of the timeshares or timeshare points, look far too high by comparison.

Legal fees are part of buying or selling timeshares, just as they are in real estate - it should be expected. Most people who have not encountered timeshares before will mostly likely be aware that there are some fees, but those who really get stung are those who are completely clueless to start with and then duped or lied too throughout the sale.

My friend, fortunately enough was aware of the extra costs, but like most, did ' nt know how the process worked exactly. " Easy ", the seller said, he was experienced and would handle the matter; all my friend had to do was hand over the paper work and the payment, easy. Seen where he went wrong? There was no " middle - man " or independent party to handle the process, the whole thing rested on blind faith that the seller be honest throughout the process.

Now, being a fairly optimistic person I know that you need to trust people from time to time, but at the end of the day you need to consider the cost. If you hadn ' t worked it out already the buyer walked off with the a significant sum of money belonging to my friend, and was never seen again.

Whilst the amount he paid was nothing like you ' d expect from buying direct from a club, and the costs asked for didn ' t seem enough to cause too much alarm ( a few hundred Dollars ), the amount lost was still a blow, but ironically it was the small amount which caused him to ignore his better judgement and pay.

So what can he do now? Well unfortunately not a lot, getting in touch with TATOC or RDO is a good start; they can usually give advice on what to if you are caught out like this. Even if it is too late to do anything about it, it is always worth letting them know about such events as organisations like TATOC issue lists of trusted sellers or more importantly, known scammers, so it can help others in the future. Sadly, my friend was caught out and there was nothing that could be done, the seller left no working telephone number and the address was no longer occupied, so no way of find the seller.

The best thing to do, would be to use a trusted company with in house conveyancing services. Without getting caught up in the details a good conveyancing department will ensure that all paperwork is exchanged correctly, everything is settled and most importantly, store all money in an escrow account controlled by an independent solicitor. Money stored like this ensures that it is not going anywhere until the conditions of the sale are met.

The downside? Well, the only downside, if you can call it that is that it costs more money - how much can changed based on the resales company and what service is required ( around 300 ). But if you want to be happy in the knowledge that your money is in safe hands and you are not going to get conned or robbed, not a large price to pay really.

So it is the usual advise really, do your best to ensure that companies involved is trusted, look to the industry bodies like TATOC, RDO and ARDA who can confirm this or help establish if you might be dealing with a less than reputable business. Whilst there are bargains to be had, especially when buying timeshare points, be careful about deals that look too good - you don ' t have to avoid them, just make sure you do your research ask the right questions, and if you cannot get a satisfactory answer, then perhaps it is time to look elsewhere.

Sexy Mallu aunties

The Conversation - Mallu aunties - in India is used for referring atom women who is close to Mother ' s age. In US, aunty is used for referring spare of father or mother. In India, majority of mallu aunties are married and stay home for at rest functioning. In metropolitan cities like delhi, bombay, and banglore we can see lots of working class mallu aunties that cope - up with both shack grasp functioning and their professional life.

In India, mallu aunties much fall in the age chain of early 30 ' s to tardy 40 ' s. Their typical attire is Saree. In some northern region, Punjabi suit is besides mixed with Saree. Saree is finally a two - layered costume site inner layer is cold of a tight top and a long skirt like bottom. The upper layer is transparent and silky cloth that covers inner top and bottom. Basically, Saree reveals complete figure of mallu aunties and that ' s one of the main reason that makes Indian mallu aunties so attractive. Most of the mallu aunties have very long hairs with nice and well - built body.

Most of Indian boys in the age group of eighteen to early twenty ' s are not interested in the girl ' s of their age group. Surprisingly, they are interested in mallu aunties. Almost every grown - up Indian guy can tell you a story about his past time aunty. In many cases, this favorite aunty is next - door newly wedded aunty or young science or math ' s teacher. In almost every guy ' s story, this favorite aunty remains in fantasy and never end - up with Physical relationship.

This - aunty - attraction was first exposed in one of raj kapoor ' s movie where very young school boy start falling in love with his class teacher. In this movie all this attraction started when this boy first saw her changing cloths during a school trip. Another movies was - ek choti see love story - in which a teen - age boy got attracted towards next building sexy unmarried aunty. It all started when this boy saw her while she was taking shower and while aunty was making love with her boy friend.

Almost every boy and - aunty - story starts with physical attraction and becomes fantasy love story. According to a recent survey, seventy percent upper middle class married men have finally married a girl that some how looked like the aunty they loved in their teen age. It ' s interesting to know that websites like scanmysexy. com has more visitors than many Indian matrimonial sites because on above website many Indian mallu aunties upload their photo ' s for rating and the aunty with maximum votes becomes top sexy aunty of the year.

No matter how attractive Indian mallu aunties are, I would suggest stay away.

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Sell story

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SHASHI DESPANDE`S VISION IN HER NOVELS

SHASHI DESPANDE`S VISION IN HER FICTIONS

Shashi Deshpande ' s primary concern is to depict the anguish and conflict of the modern educated Indian women prejudiced between patriarchy and tradition on the one hand, and self - expression, individuality and independence for the women on the other. Her fiction explores the search of the women to fulfill herself due to a human being, independent of her methodical role now daughter, wife and mother. Bobby-soxer has tried a variation of common internal proceeding, which trigger off the search. Deshpande ' s thing and sympathy are primarily for the woman. Spell revealing the woman ' s battle to secure self - tribute and self - ego for herself, the author subtly bares the composite levels of anxiety, including sexual fretfulness experienced by women in our society. In the changing structure of post colonial Indian society that pragmatic crosscurrents of popular ideals and newly imported ones, Shashi Deshpande ' s was ill-fated with the duty of giving ergo women characters the specific roles that would fit in the socio - cultural modes and values of the changed society. A new procreation of women emerged, embracing the changed values according to which women have a yell of their own, a vociferation that had been suppressed for centuries. These women, who have the capacity to make free choice and need not whence depend on the choice of the male, are portrayed in the novels of the new procreation women novelists. These new women characters are not however the alike all-over dilemmas are exposed wherefore. In her novels, we get the idea of slightness stricken, hardworking, sincere and silent women of India who live like animals, clutch intolerable sufferings for survival, and fundamentally ambition for a more select later for their issues single to be crest fallen at the stub. Naught happens in their life but series of disappoints along with dishonour, torture and regular displacement. Besides the rural mass, there are middle class woman in the innumerable towns and cities of India who are recurrently unable to love the legal stratum conferred on them. Women are now treated on equal terms by jurisprudence being far through inheritance of property and opportunities of jobs are concerned. But on the social exact, these women who have been struggling since ages to assert themselves, are still being heckled by their masculine counterparts and forced to keep at silent. The speech of this newly emerged class of woman, who have the twin education over the manliness are having and are sometimes inclined the big break of supporting themselves financially, is heard in the writings of Shashi Deshpande. A modulation of protest lambaste the marginalized feature of women owing to a class is further audible in her works. The bold heroines, having moral courage essential for self - assertion spring from the humane and submissive heroines who were accepted seeing the standard women characters.

In Shashi Deshpande ' s novels, we can find the change of characters powerful. In Deshpande ' s literary world there are characters taken from halfway all the sections of life. They are medical practitioners and writers, educated housewives, uneducated ones and maidservants. Besides underage, grave and related other common adversities, there are some causes of suffering exclusively for the female. Deshpande renders with sympathetic forgiving the discrepancy of suffering a woman has to have information. Sometimes the suffering is attached to the social taboos, and sometimes the women are silenced in the prenomen of family adoration, and are chargeable to digest torture.

Shashi Deshpande regularly describes Indian women in her novels. That is why the aspect of women in our families. Shashi Deshpande ' s sincere attempt to break the silence of women has been widely acclaimed in home and abroad. Her clear understanding of human relationship, her close observation of the way of the world, her unbiased attitude to dogmas and movement enforced me to do the present attempt in this direction. Research Programme

Shashi Deshpande, in her works, defines freedom for the Indian woman within the Indian socio - cultural value system and institutions. She has steadfastly resisted the temptation of creating strong, glorified female heroes, and has presented the Indian woman as facing the very dilemma of having to choose between modernity and convention. Deshpande bares the subtle processes of oppression and gender differentiation operative within the institution of the family and the male centered Indian society. Deshpande ' s feminism does not uproot the woman from her background but tries to expose the different ideological elements that shape he. These include religious and cultural elements ( such as myths, legends, rituals and ceremonies ) and social and psychological factors ( such as woman ' s subordinate position in the family and her restricted sexuality ). The protagonists of Shashi Deshpande ' s novels are modern, educated, independent women, roughly between the age of 30 or 35. Their search for freedom and self - identity within marriage is a recurring theme.

While analyzing her novels, I realize that a similar progress in the protagonists life is portrayed in them. All her protagonists - Indu, Saru and Jaya are shown to be in a state of confusion at the beginning. Slowly as the novel unfolds, they go through a process of introspection, self - analysis and self - realization. At the end, they emerge as more confident, more in control of themselves, and significantly more hopeful.

The collections of Shashi Deshpande prove her a real fiction genius. Her fiction work is as follows:

1. Roots and Shadows Indu, the heroines, is on a visit to her ancestral home after a long period of absence. This is where the story begins, the novelists unfolds the thoughts and emotions of this singular Indian Girl. Indu, married to Jayant, now stays in the city. 2. The Dark Holds No Terrors: The protagonists Saru is a doctor. She, too, is on a visit to her parental home in the small town. This home has not changed since her childhood. Away from the professional milieu, she becomes an ordinary housewife temporarily. Away from the hectic pace of her city life, she reviews her life and her relations with her brother and her husband. 2. That Long Silence: In this novel, the protagonist Jaya, a housewife and an occasional writer, leaves her comfortable church gate apartment and comes to stay in a small flat in Dadar along with her husband. This is a far cry from her tastefully furnished, elegant church gate home. Yet, she seems completely at ease her. She can relate easily to her neighbors and servants, though her fastidious husband Mohan cannot adjust to the filthy surroundings. Again, away from the routine, Jaya is confronted with difficult truths about her past.

This in all the three major novels, the story takes the protagonists back to her simple childhood home, where nonetheless she is comfortable and even happy. Indu, Saru and Jaya are all facing problems in their adult married lives, and a return to the parental home is their reaction.

Thus, Shashi Deshpande herself has strong convictions about feminism. Apart from her belief in the equality of the gender and in the right of both the gender to live their lives the way they want, she also believes that - until women get over the handicaps imposed by society, outside and inner conditioning, the human race will not have realized its full potential. - In a society as traditionally male dominated as the Indian society is, women have to try harder to find their identities. But the modern Indian women, as portrayed in Shashi Deshpande ' s novels, are definitely working towards that goal. According to the novelists, the statement of emancipation is the freedom and responsibility of choice. She is certainly a feminist writer, but this is not her feminism that sees the male as the cause all troubles. According to her: The fault lies with the woman who submits to the male ' s sense of superiority.

The Scheme of Study

? Chapter 1: Portrayal of Self - Revelation? Chapter 2: Social Reality? Chapter 3: Spiritual & Traditional Image? Chapter 4: Feminine Emancipation? Chapter 5: Social Dogmas - Romance & Lust? Chapter 6: Family Relationship? Chapter 7: Conclusive point at issue. Summary of Chapters

Chapter 1: Portrayal of Self - Reveleation The strong point about Deshpande ' s fictions is her delineation of the woman ' s inner world. Her protagonists are woman struggling to find their own voice and continuously in search to define herself. Her major theme is - quest for identity ' Her main concern is the urge to find oneself, to create space for oneself, to grow on one ' s own.

Chapter 2: Social Reality Despite imaginative flashes and the role played by memory in her novels, Deshpande is, at heart a realist. She presents a plausible story of authentic characters and not shadowy abstractions - - airy things - without - a local habitation and a name - She believes in presenting life as it is and not as it should be. In the words of Engel: - Besides truth of detail, the truthful representation of typical characters under typical circumstances. -

Chapter 3: Spiritual & Traditional Image Her writing is clearly part of Indian Lit. and emerges from her rooted ness in middle class Indian society. Hindu tradition plays a big part in her fictions. Hindu values a son over a daughter. She shows how the silence imposed on women is partly of their own making, though society and tradition have a hand. She employs a kind of stream of consciousness technique. Almost her novels with a crisis in the heroine ' s life. The narrative goes back and forth in time, so the narrator can describe events with the benefit of hindsight. Women characters in Deshpande ' s novels try to assert themselves as independent individuals through confrontations with the traditional constraints in Indian Society.

Chapter 4: Feminine Emancipation The statement of emancipation is the freedom and responsibility of choice. She is certainly a feminist writer, but hers is not the strident and militant feminism, which sees the male as the cause of all trouble. The fault lies with the woman who submits to the male ' s sense of superiority.

Chapter 5: Social Dogmas - Romance & Lust Marriage locates itself in Romance, sexuality and Social environment. Several Marriages in the novels of Deshpande are built around the initial principle of attraction and in themselves indicate a rebellion on the part of the women.

Chapter 6: Family Relationship Deshpande ' s novels show a concern with families and space. The ambivalence that is built into family relationships. Work at several levels and pulls the individual in different directions. on one hand the need for independence and on the other the need to belong. The individual responds to these needs differently at different stages of life. Social roles and social constructs influence family relationships in multiple ways. Paradoxically just as the woman is at the centre of the quality of family life, she is enclosed within it. The movement from and towards her is both centripetal and centrifugal. Familial roles denote enclose or confine the man in any comparable manner.

Chapter 7: Conclusive point at issue RESEARCH METHODOLOGY

I have resolved to make research on the world of Shashi Deshpande ' s fictions. I have taken recourse to the following methods.

1. Eliciting the literary material on the fiction of Shashi Deshpande from the study of Books and treatise of erudite scholars available for the study of the researcher. 2. The study of various literary journals published in India and Abroad as incorporated in the corpus of the bibliography. 3. The study of various News - Papers in English in India and Abroad. 4. By inviting valued opinions of critics and scholars at present living in India and abroad to authenticate my research work. 5. By the analysis of her fictions after close scrutiny.

Bibliography Primary Sources The works of Shashi Deshpande

1. Fiction A Matter of Time, New Delhi: Penguin, 1996 Come Up And Be Dead, New Delhi: Vikas Publishing House, 1983 If I Die Today, New Delhi: Tarang PaperBacks, Vikas Publishing House, 1982 Intrusion and Other Stories, New Delhi: penguin, 1993 Roots And Shadows, Hydrabad: Sangam Books, Orient Longman Ltd., 1983 Small Remedies, New Delhi: Viking, Penguin, 2000 Collected Short Stories, Vol. 1 New Delhi: Penguin, 2003 It Was The Nightingle, Calcutta: Writers Workshop, 1986 That Long Silence, ( F. P. Virago 1988 ) New Delhi: Penguin, 1989 The Binding Vine, New Delhi: penguin 1993 The Dark Holds No Terrors, New Delhi: Penguin, 1990 The Legacy, Calcutta: writers workshop, 1978 The Stone Woman And Other Stories, Calcutta: Writers workshop, 2000 The Miracle And Other Stories, Calcutta: Writers Workshop, 1986 " Best Loved Indian Stories ", Vol. 1, published by Penguin India, 1999. " The Legacy " Writers Workshop, Calcutta, 1978 " The Inner Courtyard " Ed: Lakshmi Holmstrom, Virago Press, 1990 " Frauen in Indien " Ed: Anna Winterrberg, 1988 " The Narayanpur Incident " India Book House, 1992 Reprinted by Puffin Books, Penguin India, 1995 " The Hidder Treasure " India Book House, 1980 " The Only Witness " India Book House, 1980, 1982 " A Summer Adventure " India Book House, 1978, 1980, 1983 " The Narayanpur Incident " German ( 1998 )

2. Non - Fiction - The Dilemma of a Woman Writer, - The Fiction of Shashi Deshpande. Edited by R. S. Pathak, New Delhi: Creative Books, 1998 - No Woman is an Island -, The Sunday Times Of India, May 10, 1992, 12 - Indian English Fiction - 1980 - 99 -: An Assessment - Being And Nothingness, - trans. Hazel E. Barnes, P. 49 Adele King, - Shashi Deshpande: Portaraits of an Indian woman, - The New Indian In English: A study of the 1980s, ed. Viney Kirpal - Indian Communicator, - 20 November 1994, P. II - The Great Indian Tradition? - Literature Alive, Vol. 1 & 3 - Femina, - May 1993 - The Sunday Observer, - 11 Feb, 1990 - Contemporary Writers, - London: Hogarth, 1965, p. 26 - Half the Sky: An Introduction to Women ' s Studies - ed. The Bristol Women ' s Studies Group London: Virago, 1979, p. 3 - Eve ' s Weekly, - 18 - 24 June 1988, p. 28 Ibid. p. 26 - Shashi Deshpande ' s fictional concerns, - R. S. Pathak ( p. g. No. 312 - 335 ) - Writing from The Margin, - unpublished Essay, to be includede in a forth coming volume of non fictional prose titled Writing From The Margin

3. Interviews Interview with Shashi Deshpande by Malini Nair - The Message is Incidental, - Times of India, No. 25, Nov. 1989 - Wasafiri, - Laxmi Holmstorm, 17, 1993, pg. 25 - 26 - The Sunday Observer, - Stanley Carvalho, 11 Feb, 1990 Eve ' s Weekly18 - 24 June 1988, p. 28 Ibid. p. 26 - Femina - May 1993 Vanamala, Vishwanatha, Interview Literature Alive, 1: 3 ( Dec. 1987 ) 8 - 14

Secondary Sources

Beauvoir, Siman de, The Second Sex, trans. H. M. Parshley, New york: Alfred Knopf, 1952; rpt. Vintage Books, 1989 Brown, Penelope, - Universal and Particulars in the Position of Women - Women In Society: Interdisciplinary Essays, The Cambridge Women ' s Studies Group, London, Virago, 1981, rpt. 1985 Eagleton, Mary, ed. Feminist Literary Criticism: A Reader, Oxford: Blackwell, 1992 Flavia, Agnes, - Violence in Family: Wife Beating - in Ghadially: 151 - 166 Das, Veena - The Body as metaphor: Socialisation of Women In Punjabi Urban families - Manushi 28 Kirpal, Viney, ed. - A Feminist Study of her Fiction -, New Delhi, B. R. Publishing Corporation 1998 Woolf, Virginia 1925, a Room of one ' s own rpt. London: Granada, 1977 Jain, Jasveer - Gendered Realities, Human spaces -, Rawat Publications Rao, Raja Ram, Kanthapura ( 1938 ) Delhi: Orient Paperbacks Rani, T. Ashoka ed. Woman in Women ' s Writing Tirupati: Sri Padmavati Mahila Visvavavidyalam 1995 Mukherjee, Meenakshi - The Anxiety of Indianness - New Delhi: Vision Books, 1998 Desai, Anita Clear Light of The Day New Delhi: Allied Publishers, 1980 Bala, Suman, ed. Women in the Novels of Shashi Deshpande: New Delhi Khosla Publishing House, 2001 Dhawan, R. K. ed Indian Women Novelists, Vol. 5. New Delhi: Prestige 1991

Start Your Love Story with Perfect Diamond Engagement Ring

The most vital step of engagement is purchasing a perfect engagement ring which is righteous for your partner. You can find that from multifold centuries people are proposing their sweetheart with sightly and sparkling diamond engagement ring. Presenting diamond engagement ring is a tradition which became in practice from the Romans in 13th century and it is most common in Christian marriages.

But earlier the prices of diamond were very high and it was related to high class people unique. But now with the advent of online stores the prices of diamond have gone down and now anyone can deliver diamond engagement rings to their fiancee freely. The use of diamond in engagement ring are becoming very popular and the reason of its popularity is that diamond is one of the most precious gemstone and are considered to be a symbol of love, loyalty and commitment.

But before selecting your perfect engagement ring you must consider few factors which determine the cost of diamond set on your engagement ring. And those factors are:

Carat Design of your engagement ring Metal Cut

Carat of diamond refers to the weight of diamond and is measured in carat. Always remember that if the carat is larger of your diamond then your ring will be expensive compare to smaller carats. Hence before selecting the carat you must establish your budget. But always remember that if you can afford then you must go with the larger carat because larger carat is the best way to say that you can take care of her and can give her all the happiness of the world.

You can find lot of designs in diamond engagement ring and can select according to the choice and preference of your partner. Make sure that the design which you select must suit her lifestyle and your budget. You must keep in mind that the designs which are most popular are expensive hence if your budget is low then you can go with antique style in engagement rings.

Another factor which you must consider is the metal of the ring. There lot of choices in metals and you can select according to your budget. If your budget is low then must prefer silver engagement rings and if you are willing to spend money then you can opt platinum engagement rings. Platinum is one of the most popular choice in diamond rings and are also elegant choice for women. You can also select yellow gold for your engagement ring.

And at last you must consider the cut of diamond. Cut of diamond refers to the shape and quality of diamond. Hence it is one of the most important factors which you must consider while selecting your engagement ring.

Author ' s bio:

The author has written many articles on aspect of engagement rings, diamond engagement rings and other diamond jewellery. If you want to know more about engagement rings then please visit www. joulediamonds. co. uk.