To write a story, or to forward a message ( in a novel ), that is the issue. But most beginning novelist will campfire up and rebound at alike a interrogation. Why? Because they are confident that it can be both. They are confident that they most assuredly can purport their message via the whereabouts of a novel.
Why is it that several student novelists get touchy when this subject is broached? In halfway every case, it ' s in that that individual has a message potential within his heart and faculty. In reality that message may have been simmering for a very long time, slowly coming to a boil. The next step, to that novelist ' s way of thinking, is to get the message out by weaving it into a novel.
So what ' s wrong with that, you may be asking. Sounds like a great idea.
Here ' s the crux of the matter. A fledgling novelist with a message burning within, will invariably produce a first draft that is message - heavy. This means the story becomes secondary to the message. It ' s a guarantee for producing a weak, lifeless plot.
When message becomes the primary emphasis, the result is closer to a sermon or an essay. It harks back to the time when novelists inserted, "... and so, dear reader... " speaking directly to the reader to make their point. Now the plot has become flat and cold. Today ' s readers have no patience with such tactics.
When the message becomes the primary emphasis, it shatters the fragile illusion of reality that your readers is seeking. ( That illusion of reality is the real reason she is reading a novel in the first place. )
If you feel strongly about a subject ( and most of us as novelists do! ), wrap those ideas and opinions around your characters. Let your characters play out those ideas in their dialogue and actions. However, make doubly sure those words and actions belong in the story and help build the story. Otherwise, it is still author intrusion.
Keep in mind if the novel - reader were looking for the author ' s opinion, that reader would read the editorial page, not a novel.
Another point to be made here is this: once you have emptied your gun in this beginning novel, will your need for enforcing your message carry you through a second or even a third novel? I ' m guessing the answer is probably not.
However, if your novel - writing is conceived and birthed in the womb of love - of - story now you are miles ahead.
The novelist who has an innate, insatiable love of story, can produce story after story after story - it ' s a natural overflow of that deep - seated love and passion. And the good news is that a well - crafted, well - told, well - written story ( novel ) will nearly always carry within it a strong message.
